Showing posts with label 1930's. Show all posts
Showing posts with label 1930's. Show all posts

Tuesday, June 8, 2010

Church Street Post Office, NYC

1930's exterior Façade church street post office federal building, lower manhattan financial district architecture, Cross & Cross, Pennington, Lewis & Mills, Indiana-limestone façade, art deco, classical revival,  National historic landmark, versy street,
90 Church St, New York, NY 10007
Architecture by Cross & Cross; Pennington, Lewis & Mills
Built in 1935, Photographed in 2010

From the outside, the Church Street Post Office appears stout and modest at the corner of Church and Vesey Streets.
But details like the giant, squared-and-stylized eagles perched seven floors up on its Indiana-limestone
façade signal what's inside: a haven of art deco-era designs that have earned it a spot on the National
Historic Landmark register.

To view more photos, please visit my flicker slideshow, or thumbnails.

Church Street Post Office, Interior, NYC





The Church Street Post Office opened in 1937. Its solid craftsmanship has transcended decades of wear
and tear, as well as the impacts of both the 1993 and 2001 attacks on its neighbor the World Trade
Center (WTC). On September 11, 2001, the building withstood the collapse of the twin towers and 7
WTC. In fact, it suffered surprisingly limited damage other than blown-out windows and a foot-thick
coating of dust and debris, even despite scattered fires and the activation of emergency sprinklers inside.

"There was little damage to the actual structure," says Robert Selsam, spokesperson for the building's
management company, Boston Properties. "It's a very sturdy building."

Selsam was in charge of the building's decade-long renovation through most of the 1990s. Calling it a
"complete modernization," his team updated the electrical, plumbing, elevator, and central air
conditioning and heating systems and was launching the final phase of work on the building's main post
office floor in September 2001.

Since then, his company's mission shifted from renovation to restoration, involving the replacement of
more than 800 windows, along with walls and flooring that harbored contaminants such as mold,
asbestos, and lead dust. Three years and several million dollars later, the Church Street Post Office
reopened on August 2, 2004.

Black marble columns topped by silver stars adorn the lobby. The fine work of the building's original
designer, Lewis A. Simon, is present in virtually every corner of the main floor. Simon was the
supervising architect of the Treasury Department in the 1930s, when the New Deal was on the table and
designs were simple and classic, especially for federal buildings like post offices.

Stars are among the main recurring details adorning the building. They protrude like silver badges of
national pride from the original steel entryways on the post office's north and south ends and the ceiling
and black-and-green marble columns inside. The entrances' ceilings follow suit. Their translucent panels
are decorated with an art deco version of the "Great Seal" of the United States -- the eagle image seen on
the back of a dollar bill.

Beneath the grand ceiling and columns are solid marble walls and an almost pristine marble-and-granite
terrazzo floor. "If you look at that interior floor you'd swear it was brand new," Selsam says. "It looks
like it was set and polished yesterday, but that terrazzo is over 70 years old."

The building's metalwork is the backbone of its design. Similar to the chrome-and-steel style of the
Chrysler Building, the main floor's chandeliers, sconce lights, service windows, doors, and vent covers
all feature the pale, somewhat dulled silver metal crafted for architectural continuity throughout.

Colorful, polished terrazzo floors make for grand entrances As for the work that takes place within the
building, the U.S. Postal Service is back in full swing -- with 325 employees on four floors -- after
temporarily shifting operations to Farley Post Office on 8th Avenue and 33rd Street following September
11. In addition to processing mail for the seven downtown zip codes, including two for the WTC that are
still technically active, the building houses a postal store, manned shipping windows, and new, 24-hour
self-service shipping stations complete with scales and postage-label printers.

On the building's other 10 floors, Boston Properties continues to build out space for new tenants, which
now include the New York City Housing Authority and, eventually, the state Department of Health and
the Public Service Commission.

The building is listed on the National Register of Historic Places.

Text Source:
- Church St. P.O. Bundles Mail with Art Deco Designs

Sunday, May 23, 2010

"30 Rock", the Rockefeller Center, NYC

brass railing art deco railings hallway staircase 30 Rockefeller Center interior brass column granite black beige NBC, 30 Rock, GE building, modern open lobby, RCA building

brass railing art deco railings hallway staircase 30 Rockefeller Center interior brass column granite black beige NBC, 30 Rock, GE building, modern open lobby, RCA building
30 Rockefeller Plaza, New York, NY 10112
Built in 1933, Photographed in 2010

Popularly known as “30 Rock”,  the GE Building is a slim gothic skyscraper and the centerpiece of the
Rockefeller Center complex. At 850ft (259m) with 70 floors, it is the tallest, grandest and most dazzling
of the Rockefeller Center buildings. The landmark emanates a futuristic, larger-than-life grace, despite its
bulky limestone base, which garnered another nickname: “The Slab.” The 70-story Art Deco building
was originally constructed for the Radio Corporation of America in 1933 (formally known as RCA
building), and was exceptionally modern for its time, with a contemporary open lobby and even
escalators connecting the ground floor to lower level shops.

The top floor of the building is an event room and restaurant named the Rainbow Room, above that is
the Top of the Rock observation deck. The building is the setting for the famous "Lunchtime atop a
Skyscraper" photograph, taken by Charles C. Ebbets in 1932 of workers having lunch, sitting on a steel
beam, without safety harnesses. The 840-foot (260 m) drop lies below.

One of the little known but fascinating parts of Rockefeller Center is the underground concourse, known
as a 'city in the city'. It is an exceptional example of civic planning. All buildings share a common design
style, Art Deco, and are connected to each other via an underground concourse, the Catacombs. This
interconnected series of pedestrian passages stretches from 47th Street to 51st Street, and from 5th
Avenue to 7th Avenue. The concourse, New York's largest underground city, contains retail shops, fast
food, fine dining, post office, and subway entrances.

One of the first escalators provided access to this concourse from the lobby. The open lobby was the first of its time and rich materials, reduced black and beige ornamental scheme is enhanced by dramatic
lighting. Granite covers the building base to a height of 4ft (1.2m), and the shaft has a refined facade of
Indiana limestone with aluminum spandrel panels.

In 1985 the GE Building was given official landmark status.

To view more photographs, visit my flickr slideshow, or thumbnails.


Sunday, May 2, 2010

Radio City Music Hall, NYC


1260 Sixth Avenue (aka Avenue of the Americas), NY, NY
Built in 1932, Photographed in 2010

Radio City Music hall is the corner stone of the Rockefeller Center office complex buildings on 50th
street and 6th avenue. This really is the showcased jewels of the center, and the classic example of Art
deco style. It is the largest theatre in town. The interior was declared a city landmark in 1978.

Radio City Music Hall, Interior, NYC




1260 Sixth Avenue (aka Avenue of the Americas), NY, NY
Built in 1932, Photographed in 2010

Radio City Music hall is the corner stone of the Rockefeller Center office complex buildings on 50th
street and 6th avenue. This really is the showcased jewels of the center, and the classic example of Art
deco style. It is the largest theatre in town.

The interior was declared a city landmark in 1978. It was was designed by Donald Deskey, who won
the competition. He designed over 30 spaces inside the theatre including 8 lounges, smoking rooms, and
etc. Each room has its own theme, and he worked with all manners of different artists. A lot of them, by
the way, were recommended by John D. Rockefeller, Jr.'s wife, Abby, who just had opened the
Museum of Modern Art. Some of the artists designed some of the pieces that ended up in the Radio City.
One of them, who didn't, but who had signed a contract, was Georgia O'Kieff. She was all ready to go,
and was going to design a mural in a lady's room. However, at that time, she was becoming a very well
known artist, and her husband, who was a little bit of controller, thought she wasn't getting enough
money, and demanded 3 times as much money. Eventually by the time they had it all sorted out, because
she really wanted to do it, she had no time to finish it. She went in, started it, and left with having a
nervous breakdown and quit.

Donald Deskey, in his later career, took a chance and started a graphic design firm and designed some of
the most recognizable icons of the American domestic products, such as the Crest toothpaste, the Tide
bullseye, Jif peanut butter, and Pampers disposable diapers.

Reference
-The Bowery Boys: New York City History

To view more photos of the interior of the building, visit my flickr slideshow, or thumbnails.

Tuesday, April 27, 2010

Show Window at Bloomingdale's, NYC


Built in 1931, Photographed in 2004

Bloomingdale's, a chain of upscale American department stores owned by Macy's, Inc., has 36 stores
nationwide, with annual sales of $1.9 billion dollars. Bloomingdale's started in 1861 when brothers
Joseph and Lyman Bloomingdale started selling hoop-skirts in their Ladies Notions' Shop on
Manhattan's Lower East Side. In 1872, Bloomingdale's expanded and opened their East Side Bazaar, a
harbinger of the modern "department store."

In 1886, it moved to 59th Street and Lexington Avenue, still their flagship store, anticipating and
capitalizing on the northern movement of New York's upper and middle classes. By 1929,
Bloomingdale's covered an entire city block. Two years later, the glamorous Art Deco edifice that still
graces Lexington Avenue was completed.

Tavern on Green, NYC






Built in 1934
Photographed in Dec. 2008

Tavern on the Green was originally created as an 'affordable' dining alternative for the middle class,
located in Central Park on the Upper West Side of New York City, in the United States. With 2007
gross revenues of $38 million, from more than 500,000 visitors, it was the second highest-grossing
independently-owned restaurant in the United States (behind The Venetian's Tao restaurant in Las
Vegas, at $67 million).  Of the several dining rooms, the most famous was the Crystal Room (picture on
the top), which features windows overlooking the restaurant's adjacent garden in Central Park.

Tavern on the Green had its last seating on December 31, 2009. It is auctioning off its interior
decorations and closing its doors because of bankruptcy.